Wafia Lyricsbot



chat with Wafia’s lyrics

This is not the official site, wafiaofficial.com. This unofficial site has squeezed Wafia’s lyrics into a chatbot that will turn your conversation on its head. Try to spot the song it’s quoting...

Enter anything in the ChatBot below

  • The replies don't always make sense but that's the fun in it - make your own meaning.
  • Try to guess which song they are from or...

copy and paste the reply back into the ChatBot if you want to know the answer


Also available on Facebook: @WafiaLyricsBot [Send Message] or m.me/WafiaLyricsBot

Wafia LyricsBot - Privacy and Terms of Service

Acknowledgments: Adrian Naidu

Sample Interaction

Wafia-LyricsBot:
Stay Strong Go Head Live your FAMILY
User:
Hi
Wafia-LyricsBot:
Stay Strong Go Head Live your LIFE
User:
What's your name?
Wafia-LyricsBot:
Let love lead the way and uncover truth
User:
Where do you work?
Wafia-LyricsBot:
I gotta live and walk my own path
User:
What is the most important thing in life?
Wafia-LyricsBot:
"Caught Up"

This was my young reflection
Don't get caught up on material things oh whao
Don't get caught up, oh whao oh thing
Don't get caught up on small things, oh whao
Cause we're all up oh whao oh thing, oh yeah

Temporary love feel good but I'm not this
Typical things they come in and they go
I just wanna love myself
Checking all my mental health
Seeing what life seems golden
Realizing it's less than gold

I go and send above the sun when I was blind to see my own way
I know my materials presence then I can show me

I don't get caught up on material things oh whao
Cause we're all up oh whao oh thing, oh yeah
Don't get caught up on small things, oh whao
Cause we're all up oh whao oh thing, oh yeah

I spend so much money on that day
Caught up on my materials ride
Live a life, living in all luxury
More than life when living in the factory
My ignorance call, we are equal
Perhaps what I said I'm afraid
I'm tripping in gold but
How was my soul with that physical things

I don't get caught up on material things oh whao
Cause we're all up oh whao oh thing, oh yeah
Don't get caught up on small things, oh whao
Cause we're all up oh whao oh thing, oh yeah

What do I need at all?
To be free in my own
How can I see it from the truth
I gotta look what's in and see why
This slavery just done for me
We caught up in the trap too low,I I
I put my eyes tomorrow, whao

I won't get caught up on material things oh whao
Cause we're all up oh whao oh thing, oh yeah
Don't get caught up on small things, oh whao
Cause we're all up oh whao oh thing, oh yeah

I go and send above the sun when I was blind to see my own way
I know my materials presence then I can show me
Caught up
Caught up



More Music Reviews:

https://www.triplejunearthed.com/user/4209906/my-reviews



Seven Theories On Why We Evolved To Love Music 

1. To Get The Girl. “What brings anyone anywhere? Why do men build bridges, why are there jets? I was hoping to have sex tonight.” This insight comes from the brilliantly warped mind of Jack Donaghy, a character on NBC’s 30 Rock. Darwin’s theory of sexual selection is grounded in a similar ideology. For the same reason that men flex their muscles or shower or even get up in the morning, they play music to get girls. Said Darwin: “Primeval man probably first used his voice in producing true musical cadences as do some of the gibbon-apes at the present day; and we may conclude…that this power would have been especially exerted during the courtship of the sexes.” 

2. To Keep In Synch. Have you ever noticed that when you walk with someone, you synchronize your footsteps with theirs? The subconscious need to walk in rhythm served an evolutionary function for our ancestors. When humans walk, we make noise. For early humans, that was a problem. The sound of footsteps could potentially mask the sound of a predatory animal or other sounds signaling danger. Our ancestors may have learned to synchronize their steps in order to create predictable sounds as a group, improving their ability to recognize external rhythms. 

3. To Identify Your Tribe. Most athletic events begin with a song. Most teams have a chant that fans use to identify themselves as fans. According to the “adaptionist” theory of evolutionary musicology, these fans may be doing the same thing that coyotes do when they howl in the woods: maintaining their status as part of the pack. 

4. To Maximize Flow. If you’ve ever lost yourself on the dance floor or ignored a green light due to excessive singing along, you’ll understand this perspective on music evolution. Instead of sexual selection, Marcus holds that over time, innovative musicians have evolved their understanding of what makes human beings tick, reverse-engineering the human psyche to enhance the sheer joy of music. Eventually, musicians developed a taste for what psychologist Csíkszentmihályi Mihály called “flow” – a joyful state of immersion, wherein one loses all sense of time. 

5. To Feel Emotions. Music and language have a lot in common. As Gary Marcus told us, both are infinitely generative systems. Learn a finite number of words, and you can create an infinite number of sentences. Marcus also identified one important distinction between the two: “Music is much more emotional than language.” Some scientists (not Marcus) theorize that music and language evolved from a common “musiclanguage” ancestor, with music evolving to tackle emotional meaning and language evolving to handle referential meaning. 

6. To Intimidate Predators. When our evolutionary ancestors descended from the trees, they discovered a new kind of risk in ground predators. Evolutionary musicologist Dr. Joseph Jordania suggests that “rhythmically well-organized loud noise” – the predecessor of choral singing – was initially established as a means to intimidate large ground predators in the African savannah. 

7. Survival of the Funkiest. This one’s fresh out of the oven, but interesting to consider. If Darwinism explains the organic world of animals, plants, and other organisms, why can’t it explain human culture? That’s the idea behind DarwinTunes, a project that tasks participants with selecting songs and “mating” them with other tunes to create “music offspring.” If the offspring are selected by other players, they “survive” and the music “species” lives on. The project is rooted in the theory of “cultural evolution,” the idea that people copy cultural artifacts – from words to songs to visuals – from other people. Each time an artifact is copied, it is mutated. Most die, but some are successful. These catch on and become a success, the victors of cultural evolution. 

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